Per(l)mutare ad absurdum by Sina Gösele and Amyra Radwan examines protest language and resistant design using generative methods. Through the playful generation of absurd demands, they attest to a loss of meaning within society of the former points of reference of left/center/right, which are also reflected in the protest language and symbolism. The programmed demand generator permutates slogans, perceived impositions, and hype neologisms. In a rapid acupuncture of trigger points, the generated digital artifacts become ever-new, absurd works that sit between concrete poetry, design, and net art.